Short Stories

Here's a selection of short story reviews.

American Visa by Wang Ping || Selected Short Stories of Isaac Bashevis Singer || Open Secrets by Alice Munro || Floating in My Mother's Palm by Ursula Hegi || Secrets and Other Stories by Bernard MacLaverty || Life on Earth by Sheila Ballantyne

American Visa by Wang Ping
Coffee House Press, 1994
Short stories, 179 pages

"People suffer all the time," says Wang Ping, author of American Visa. "The point is how to suffer with grace, and how to grow stronger and mature through the suffering." Indeed, the character of the stalwart Seaweed, narrator of these eleven linked stories, has been honed on hardship. Narratives such as "Lipstick" and "Lishao Village," offer glimpses into the difficulties and drudgery during China's Cultural Revolution--the way a smear of lipstick startles the drab Maoist landscape, the frustration in simply preparing a meal after a long day of laboring in the fields. Many of the stories focus on details of Chinese family life and what it means to be a woman in China. Others depict the alienation of the new immigrant in New York City. In deceptively simple and straightforward language, Wang invites the reader into the life of the steadfast and determined Seaweed as she weathers setback and self-doubt, and never abandons herself or her dreams. C.W.

Excerpt

I looked back at Lishao. Smoke rose so slowly from the chimneys that it looked immobile, like columns connecting the sky and the earth. Yaya was swimming in the stream, diving occasionally for a fish. Hong Hong was chasing a grasshopper on the bank. Somewhere down the stream, peasant women were washing vegetables and clothes. Their wild laughter, instead of breaking the peace of the landscape, brought greater harmony to my soul. I scooped up a handful of water and drank it. It tasted sweet. I fetched my barrels from the bank and filled them with the cool stream water. It would make a better meal for tonight than the well water.

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Selected Short Stories of Isaac Bashevis Singer by I.B. Singer, edited by Irving Howe
Random House, 1966
Short stories, 379 pages

The works of Nobel laureate I. B. Singer bring to life a unique world that is gone forever. With their dybbeks, demons, and spirits, these tales recall a time when the Jews of Europe, surrounded by their own people, shared the same beliefs, the same superstitions, the same history. Through such original characters as virtuous rabbis, humble chimney sweeps, and the evil wife-killer Pelte, Singer demonstrates how poorly defended we humans are from the compelling presence of evil. Some stories, casually told by the demons themselves, reveal how the demons work in our midst. Singer knew his own people well, but he understood more. His stories, their strong and involving plots, offer a thought-provoking view of life. The story dominates, however, as Singer is, first and foremost, a storyteller. R.T.

Excerpt

I, a demon, bear witness that there are no more demons left. Why demons, when man himself is a demon? Why persuade to evil someone who is already convinced? I am the last of the persuaders. I board in an attic in Tishevitz and draw my sustenance from a Yiddish storybook, a left-over from the days before the great catastrophe. The stories in the book are pablum and duck milk, but the Hebrew letters have a weight of their own. I don't have to tell you that I am a Jew. What else, a Gentile? I've heard that there are Gentile demons, but I don't know any, nor do I wish to know them. Jacob and Esau don't become in-laws.

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Open Secrets by Alice Munro
Alfred A. Knopf, Inc., 1994
Short stories, 294 pages

In this book of short stories, Alice Munro writes about women in transition, women whose conventional lives are disoriented by time, and who sometimes dare to make changes--changes only fate will define as good or bad. These stories are full of partial glimpses into ourselves. As Louisa says in "Carried Away," "It's a lesson, this story." But Munro's lessons must be discerned by the reader, for she gives no answers. Life's lessons are often as ambiguous as life. J.M.

Excerpt

Millicent did not continue this useless chore. She had plenty of other chores to do, and plenty for her children to do. But at the time of year when the walnuts would be lying in the grass, she would think of that custom, and how Dorrie must have expected to keep it up until she died. A life of customs, of seasons. The walnuts drop, the muskrats swim in the creek. Dorrie must have believed that she was meant to live so, in her reasonable eccentricity, her manageable loneliness. Probably she would have got another dog.

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Floating in My Mother's Palm by Ursula Hegi
Vintage Books, 1990
Novel in stories, 187 pages

Even though this book calls itself a novel, each chapter can stand alone as a self-contained drama. Each story concerns one or another of the characters who populate the small town of Burgdorf, a small German town trying to regain normalcy after World War II. Hanna Molter, the curious and perceptive child narrator, relates the stories she has learned from Trudi Montag, a dwarf and the town gossip. In these stories we meet Hanna's father, whose "one reckless act" was to marry her unconventional mother; Rolf, the housekeeper's illegitimate son and the first boy Hanna ever kissed; and the townsman, consumed by fear, who was destroyed by his seven watchdogs. The presence of Hanna's mother in all these stories, provides the stability and security Hanna needs to freely explore her world. Observed with intense interest and compassion, the people of Burgdorf stir our interest and compassion as well. J.G.

Excerpt

The other painting shows the quarry hole during a storm, the somber sky highlighted by streaks of silver that make the water look as if it were bubbling. If I look closely, I can almost see myself floating in my mother's palm. Yet when I shut my eyes, I find a different image of my mother releasing me as we dance in the storm and twirl in separate circles that cause the water to ripple from us in widening rings which merge in one ebbing bracelet of waves where the borders of the quarry meet the water, far from the center where my mother and I continue to spin our bodies in the radiant sheen of lightning.

Secrets and Other Stories by Bernard MacLaverty
Penguin Books, 1977
Short stories, 130 pages

Set in Bernard MacLaverty's native Northern Ireland, these stories are spare and quiet tellings of ordinary people in ordinary circumstances. Some are painful. The title story probes the anguish of a young man at his beloved great aunt's deathbed. He recalls how, as a boy, he had been caught reading her hidden love letters and how she vowed never to forgive him. Some of the stories are humorous, but the humor is tinged with sadness or desperation, as in the story of the young wife and mother who fantasizes about the chimney sweep with a romantic Italian name. The old, fat, soot-covered man who comes to the door quickly returns her to the reality of her life--cleaning and tending children. MacLaverty's skill is in making each story, in only a few pages, as satisfying as a novel. J.G.

Excerpt

His aunt had been small--her head on a level with his when she sat at her table--and she seemed to get smaller each year. Her skin fresh, her hair white and waved and always well washed. She wore no jewelry except a cameo ring on the third finger of her right hand and, around her neck, a gold locket on a chain. The white classical profile on the ring was almost worn through and had become translucent and indistinct. The boy had noticed the ring when she had read to him as a child. In the beginning fairy tales, then as he got older extracts from famous novels, Lorna Doone, Persuasion, Wuthering Heights and her favourite extract, because she read it so often, Pip's meeting with Miss Havisham from Great Expectations.

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Life on Earth by Sheila Ballantyne
Simon and Schuster, 1988
Short stories, 174 pages

At times provocatively irreverent, always honest and insightful, Sheila Ballantyne chronicles the ordinary absurdities of life while addressing the bigger questions. Is there a way to balance passion and obligation? How do we know we're living the lives we're meant to live? How do we know we're happy? In these stories we see: a son agonize over choosing a nursing home for his mother; a wife and mother grieve as she tries to adjust and make sense of her husband's seriously disabling kidney disease; a daughter finally decide what to do with the ashes of her dead father; the irony of racing from California to Florida for Disney World's Main Street U.S.A. Some of these stories will make you laugh out loud, others press the heart; if you are a middle class American woman you will recognize yourself on every page. This collection belongs on everyone's "must read" list. C.W.

Excerpt

The years keep passing, but you're absorbed, you hardly notice. You look back from time to time, comparing what you have with what you thought you'd have. You understand the split between dream and reality, the tension that split creates. In time, perhaps you say: You can't live more that one life well; and eventually, you decide. You aim for that one thing--call it happiness. It can come when you least expect it, although you worked for it; and when it comes, it's often not what you had thought of as being "it." It's usually something ordinary--a thing so simple, you look back afterward and think: That was it? and laugh.

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